Archive for the ‘Music’ Category

Your Punk Rock Friends

Friday, July 2nd, 2004

Current Listening: Swingin’ Udders — “Next in Line” (Fat Music Vol. 3: Physical Fatness)
freedom’s the only thing you need but the truth is something few understand and an unwelcome reality now it’s dark and black and sad and gone you express and repress the thing gone wrong

I just got an e-mail about my article on the Nerds With Instruments website, Dave’s Ten Punk Tips. This letter was of course filled with hatred because they thought I ‘didn’t get it.’ If the person had actually read the essay, he might have found that I was being sarcastic. So far, I’ve gotten about 15 hate-mails, and 1 message from someone who ‘got it.’

So, being the punk expert I am, I have decided to create a guide to punk rockers. As always, send comments to nirvanasongs @ yahoo.com!

The Old-School Punker

hardcoahicuh imbelisus

The epitome of punk rock. No job, no respect for authority, can barely speak without drooling over everything. These guys hate everything. Unemployment, employment, the government, anarchy, everything. The only discernable skills they have are the ability to sneer for hours on end. They only go to shows to say how terrible punk rock has become. They don’t own any records released after 1985. If a band signs to a label that most people have never heard of (i.e., Epitaph, Fat Wreck Chords, Hopeless), then they immediately hate the band, even if they were its bigger fan before.

The Hot Topic Punk

gothicus lame

Covered in tattoos, piercings, and eye shadow, these punks live a twisted, troubled life. Mainly from the ass-whoopings they receive at the hands of the Old-School Punkers. These punks have a lot in common with typical goths, except that their self-hatred is only feigned. See, some goth found out a long time ago that girls with low self-esteem and scars on their wrists would sleep with him if he acted depressed and deep, too. Now, goths really feel that way, but the Hot Topic Punk only feels that way when he sleeps with one of the said goth girls and finds out that he got some new, interesting, collectible venereal disease.

Whereas Goths are generally sincere, this species really couldn’t give a damn. They listen to AFI, in an effort to look cool. When asked why they like that type of music, they generally reply, ‘because it’s so deep.’

The Skinhead

docmartenicus humongicus

Never weighing less than 300 pounds (all muscle), these punks are the behemoths of their class. Contrary to popular belief, not all skinheads are white power idiots – most of them are just idiots. They bray on and on about being working class, despite the fact that the bands they listen to generally stay in four-star hotels and only interact with the working class when they want a Big Mac. These guys don’t consider a mosh pit to be cool unless bones are breaking and blood is flowing.

The Emo Brat

cryingabouteverything withtheirstupidglassesola

This species orginated when the thin, whiny kids who used to hang out with the jocks realized they couldn’t get any because they did not run around like big idiots and try to ‘score’ with big, muscular men. So they decided that they would become introverts and cry about everything.

Whereas the Hot Topic Punk at least is willing to pierce himself to get laid, the Emo Brat only puts on stupid, thick-framed emo glasses. Their haircuts, moussed and sometimes spike, are vestiges of their jock heritage. They spend most of their time on weblogs, writing about how their (often) imaginary girlfriend just dumped them and writing stupid, stupid poetry about it. They like to wear workshirts too and bray about how they’re ‘so totally individual’, despite the fact that every one of them listens to Thursday, Thrice, and other such bands with stupid names.

These punks often keep journals about their suffering, and whine about never getting jobs, despite the fact that they refuse to work a day in their lives. Most are in college, and try to justify their bad grades with excuses ‘depression.’ But they’re not fooling anybody.

High School Punks

punkrockus knowitallis

The worst of the lot. These kids are whiny, know-it-alls, and trendy as hell. Their lyrics are sophomoric, trite, and often about girls. They play shows with their screaming high school friends and record demos with money that their mommies and daddies gave them. They often get expensive guitars and Marshall stacks as birthday presents, and if not they can afford to buy them because they don’t have real expenses, like rent/car payments.

Fortunately, this is a short-lived species. After about two years, they realize how stupid and idealistic they were, and either give up music for real work or turn into a crusty Old-School Punk.

Remember, nobody is as punk as me, nobody.

Questions, comments, disagree? E-mail: nirvanasongs@yahoo.com.

Camping Galore

Tuesday, June 29th, 2004

Current Listening: The Queers — “Surf Goddess” (Surf Goddess)
There’s no doubt that you’re just about / The prettiest girl that I’ve seen / You look so cool hanging by the pool / You’re the only girl for me / Surf goddess, I’m in love with you”

I just finished up the website for my family’s reunion at Priest Lake, which can be viewed at www.shortfamily.net. I had a program that did most of the stuff, but — me being the perfectionist that I am — I went through and changed the style a little bit, using a handy little relative expression technology called grep, so it only took me a couple of hours instead of a couple of days.

Carrie called last night and said that she has three days off next week, on Monday through Wednesday, which is perfect! We were planning on going camping, and the perfect time off for her would have been three days off early in the week.

My solo album, Pick Your Poison, is finished. I will make up some copies sometime, then offer to sell them right from this very website! I’d give them away, but it costs money to print and ship, so there you go. In the meanwhile, you can listen to the three MP3s in the litle bar to the left.

I watched Adaptation last night. It was pretty good, I thought; and the irony at the end was very fitting. The whole Nicholas-Cage-playing-his-own-twin-brother thing threw me at first (it was, after all, a Charlie Kaufman film), but I managed to adjust. Expect a review soon!

Review: Bad Religion – The Empire Strikes First

Sunday, June 27th, 2004


The Good: Everything Bad Religion is known for: catchy, thoughful, fast songs, plus a little bit of musical experimentation.

The Bad: Too many tom-tom breaks in the bridges.

The Ugly: Ewww — black, white and red for the cover? Since when did Bad Religion have to knock off the White Stripes for a color scheme?



Bad Religion’s got a strike against them.That strike, of course, is the fact that they’ve been around for over two decades. With this longevity comes a stigma: of course, the old stuff is better. Ask any crusty punk who was at a show in ’88, and he’ll tell you that How Could Hell Be Any Worse was better than anything Bad Religion is putting out now.

But I say screw that. Why give a band demerits for having longevity. AC/DC’s been around forever, as well as the Rolling Stones… well, maybe they deserve a few. Anyway, Bad Religion should not be docked because they’ve been on this earth longer than I have. If a band gets docked, it should be for writing shitty songs or not showing the least bit of change.

Thankfully, Bad Religion has evolved artistically. The Empire Strikes First has its share of warp-speed songs under two minutes, but it also has a few slower number that give you a pensive respite from the breakneck tempos. The first song — if we really can call it a song — is a slow, vaugely regggae (the extra ‘g’ is for great!)-ish intro to the album’s first song proper, “Sinister Rouge.” This track demonstrates what BR does best — soaring vocal harmonies (there’s even an opera singer adding heft to them), high-octance but tasteful guitar solos, and pissed-off-but-still-melodic vocals that actually have something to say — in this case, a rant against the Catholic church, “Comin’ back for more / To even the score.”

The record maintains its pace until thingsd slow down a bit with the first single, “Los Angeles is Burning.” The single must be making some sort of impact, because my friend Patrick, who only listens to the radio, mentioned it to me. It’s catchy and in a major key, which is a rare occurance for Bad Religion. It’s also pretty straightforward for a song written by Brett. I think it’s actually about fires in Los Angeles. Anyway, I can’t help but singing along.

Next up on the list of artistic changes is rap. Yes, rap, thanks to Sage Francis, another Epitaph artist. I’m sure some punx (notice kewl ‘x’ in spelling) screamed ‘Sellouts!’ upon first hearing this, but I like it. I’m not a fan of rap, but it fits the song somehow. There’s some nice interplay between Graffin and Francis, and it shows BR branching out. Hmmm… maybe next time, an album of polka music? Anyway, the rap comes on top of a little tom-tom riff courtesy of Brooks Wackerman, which would be okay but the next song, “God’s Love,” has the same damn thing in its bridge. C’mon, guys, couldn’t you put one song in between these two?

The First really slow song is “To Another Abyss.” This song’s got some great vocal harmonies — when Greg and Brett (maybe?) sing “purity” together it gives me goosebumps. The song’s 4 minutes long, but doesn’t really drag. The only problem I have with it is that the little lead guitar line (it sounds vaugely like a slide guitar, but it’s just a ghost bend) that comes in at the end of the chorus and ends the song sounds just like the lead guitar line from “Superheroes” from The Rocky Horror Picture Show. Every time I hear it, I think “I’ve done a lot / God knows I’ve tried / To find the truth / I’ve even lied.” I love the way this song ends — just the fading chord with feedback rising, a little groove on the ride cymbal, and then the guitar hook — God bless it — again.

The title track is another slow one, but what a damn-catchy chorus. Like Aretha Franklin, Bad Religion knows that when you spell something out in a song (in this case, E-M-P-I-R-E), people will sing along. This song, like “Let Them Eat War,” is an attack on America’s policy in Iraq. Bad Religion rarely is so blatant in its politics, so this is a nice change. Unfortunately, this song also has a tom-tom break in its bridge. Gettin’ a little old, guys. The album ends strongly, with a slow, introspective song that has some neat poetic devices (one rhyme sound, “said”), some poetry that I’m guessing was written by Gurewitz (“Beyond Electric Dreams”), which dissolves into feedback and overlapping-vocal madness, and the last song — “Live Again (The Fall of Man)”, which is a great way to end the record — Fast, bouncy, catchy, and with a serious message — if you could give it all up for heaven, would you?

Except for my stupid little quibbles, this is a great album. I think it’s better than pretty much anything they’ve put out. True, it’s not montonously fast and there are some artistic experiments, but they lean in the right direction. This is one of Bad Religion’s top two or three records ever.

Review: The Rocky Horror Punk Rock Show

Tuesday, March 16th, 2004

Review: The Rocky Horror Punk Show

The Rocky Horror Picture Show is a tad bit tame these days. After all, with women kissing on awards shows and other ‘lewd’ acts on network television, nothing seems shocking anymore, and Rocky Horror, even with its blatantly hedonistic overtones, suffers as a result. The same might be said of the film’s music — and rock ‘n roll in general. In its heyday rock ‘n roll was shocking enough to prompt several cities to attempt to ban it. Now, a rock song plays in almost every television commercial and supermarket; rock’s backbone, its backbeat, is as natural to us as a microwave or a ride in a car.

How interesting this album should be. Punk rock reinvigorated rock ‘n roll in an age when it was dying, when guitar players took no shame in indulging in twelve-minute solos. Punk was based around three chords and the truth. The music from Rocky Horror is itself similar to punk — from listening to the original soundtrack, one got the impression that the instrumentalists were bashing the hell out of their instruments in much the same way as Dr. Frankenfurter was bashing the hell out of his new playthings in the sack. This album should be just the thing to reinvigorate the 35-year old movie, giving it new energy and purpose.

Sadly, it does not. Some of the highest-energy tracks from the original soundtrack are some of the dullest here, and the vocals are to blame. Granted, most punk singers probably have not had experience in the theater or acting, but you’d think their performances would carry a little bit more emotion. Rocky Horror’s best-known track, “The Time Warp”, is given a particularly lackluster performance here. The Groovie Ghoulies’ vocalist doesn’t give any heart to the words he’s singing, he sounds nasally monotone throughout. In the context of the play, the Transylvanians are ga-ga over this dance: it is the center of their world. The Time Warp should make listeners want to get up and dance, but all I wanted to do was hit the next track button on my CD player. “Hot Patootie” is another one, changing Meatloaf’s impassioned ode to Saturday night makeout sessions to an almost militarliy-barked chant does not work. It drags, and the synthesizer in the background doesn’t help much. “Dammit Janet” suffers particularly in the vocal department.

The tracks that work best here are the lesser-known ones. Luckie Strike’s version of “Rose Tint My World”, clocking in at over just a minute, gallops along, with sincere performances from all its vocalists. “Wild and Untamed Thing”, one of my favorites, is given an interesting instrumental make-over, but once against the vocals drag the performance down. Perhaps the best all-around treatment comes from Ruth’s Hat, who soups up “Superheroes” enough to give it punk weight, but keep the track’s trepidated feel, merging the two perfectly. “Over at the Frankenstein Place”, “Sword of Damocles”, “Sweet Transvestite”, both versions of “I Can Make you a Man”, “Toucha-Toucha-Touch Me”, and “Science Fiction Double Feature” (understandably, since the Me First and the Gimmie Gimmies did an entire album of show tunes, this among them) are other standout tracks.

The rest of the tracks sit somewhere in the middle, not dragging but not kicking me out of my chair, either. Middle-of-the-road, just like most rock today. Bottom line: the album needs more passionate singing. Perhaps if the bands had approached this as scenes from a play, instead of individual songs to cover, the album would have come off a lot better. As it stands, it’s a good concept implemented poorly.

New Album in Works

Sunday, November 2nd, 2003
Current Listening:
Drag the River: “Forgiveness”
My daddy preached to me

Everyday for years

The day that he died

I swallowed my tears

The tip of the bottle

And a wish you were here

I’d trade forgiveness for a beer

Wow. Somebody threw strands of toilet paper through the trees in front of Jesse. In its own way, it’s really pretty. Like streamers of garland. That are supposed to wipe asses.

I was a Ninja for Halloween. Black pants, a black t-shirt, and another black t-shirt to make into my mask. There was this other guy in a ninja costume, but he was wearing a long sleeve shirt (with a logo!) and a bandana for a mask. I was so much sweeter than he. We did Trick or Eating, which meant we went to the Davidsons College and got a route, then went door-to-door collecting canned food. We got two bags full, which is a decent amount. Then we watched a late-night screening of The Shining. Interesting flick. So much so that I want to read the book.

I got some books at the library, thanks to Carrie. an Amiri Baraka treasury, Dave Barry’s Complete Guide to Guys (A Very Short Book), and Stephen King’s autobiography/work about writing, On Writing. I’m about thirty pages into each.

So I’m slowly collecting another album’s worth of material. If all goes well, I should record it over the Thanksgiving break. This album will be my most acoustic yet: acoustic guitar, piano, and few electric guitars. It has some of my strongest stuff yet, though (I think). “Starting a Religion”, a slow, hymnal number; “Double Take”, an offbeat song about the similarty of the two ‘opposite’ political parties, and “Danse Macabre”, a visual, piano-driven piece.

Left Hanging

Nobody wants to explore anymore.

All we want is a copy of National Geographic and

a bologna sandwich, preferably with Super-Size Fries.

Can you blame us? Who’d want to leave

the serenity of a newspaper floor, our own feces

floating in a water dish, and pretty, shiny bars?

Thank God for the bars. If we squint and look

with what little imagination we’ve got,

we just might see a menacing cat staring us down.

He’s got mange, he’s missing an eye,

and a gleam in his good eye like a madman’s watch.

Watching the birds outside the window, we laugh nervously,

dismissing what we fear most. Let them live on the edge each day,

just outside the cat’s cracked paws. Let them live.

At least they don’t have to read old issues of National Geographic until they die.

Bad Underwear

Friday, October 10th, 2003
Current Listening:
Ball Cheeze Psychotics: “Apples”
Eat me

Bite me

Lick me

Suck me

I woke up with a sore throat this morning, so I stayed home through my classes. That was okay, though, because I had an Annotated Bibliography to work. Amazingly, I got it done in just three hours’ worth of work.

My underwear sucks. Specifically, the boxers I got on Sunday. They’re 45% polyester, so it’s like wearing a diaper. When I’m sitting on the pot, they creak like they’re stressed or something. Plastic Underpants. Great name for a band. But they suck!

I got a CD from Interpunk in the mail: Dobermans and Bowling Balls by the Ball Cheeze Psychotics. It sounds really good for an independent release. The music is awesome, although some of the lyrics… er… (check my Current Listening for an example). I’ll probably post a review sometime this week.

Ten Foot Pole – “Hey Pete”

Tuesday, September 23rd, 2003

Hey Pete by Ten Foot Pole

“hey pete” she said “it’s not too late

i still think that you’re just great

you need to wait in the right place

where you’ll meet a girl with good taste”

“aw, ma don’t you think i tried?

i think there’s something wrong inside

i have no problem making friends

but that’s where the story ends”

i have no problem hanging out

then i see a glimpse of doubt

and i don’t understand — what makes them not like me?

i’m just trying to be myself

but it’s so far from everyone else

and i don’t understand what makes them not like me

“hey pete i see from what you said

that the problem’s all in your head

and if you want to make a change

you must let go of being strange.”

“yeah mom the problem’s in my brain

sometimes i really think i’m insane

it goes much deeper than fear

deep down inside me i’m just weird

maybe i’m just weird

“you’re not weird pete you’re just fine

and i’m proud to say you’re mine

regardless of the strange things you’ve done

i’m so glad that you’re my son

i really think from what you said

that the problem’s all in your head

and if you want to make a change

you must let go of being strange”

i have no problem hanging out

then i see a glimpse of doubt

and i don’t understand — what makes them not like me?

i’m just trying to be myself

but it’s so far from everyone else

and i don’t understand what makes them not like me

FMZ Show

Monday, August 25th, 2003

TWO TOWERS COMES OUT TOMORROW!!!! WOOO-HOOOOOO!!!

We plan to watch the movie at John’s house sometime this week, then again in rec room at Knowles Hall after we move up to Missoula. Probably a good way to meet fellow geeks. I need to call John to get him to get the ball rolling. He’s a lazy bum. Examples? The 4th of July float down the Bitterroot that nearly ended in several deaths (although, technically, most of the near-death experiences were my fault) and his somewhat unplanned (though fun nonetheless) jaunts up to Missoula this summer.

Current Listening:
Unconditioned: “No Regrets”
Then God, He filled my heart
He gave me hope and a brand new start

I finally listened to the CD I bought from Unconditioned at the show Friday. The music is pretty good, but unfortunately the lyrics are literally preachy. I looked on their website, and almost every track tells me that Jesus Christ is the reason I’m around. Now music should be music, but I don’t like being told the thing in which I should believe. I don’t regret buying the CD (It’s called No Regrets, interestingly enough), but lyrical message tends to mean a lot to me, so…. hmmmm….

I guess my bass was too loud when I played with the Flying Men. They wouldn’t let me play a walking bassline on “Ed Wood Fantasy”, and we skipped “Lilacs and Icecubes”, which is my favorite song because I can cut loose on bass. But we played the new ska song, so it wasn’t all bad. I just wasn’t in a playing mood. After we played John, Aaron and I left early and went to Denny’s. Then, we went to the University Campus and played acoustic guitar back and forth underneath the Skaggs building.

Update

Wednesday, July 23rd, 2003

I worked Monday. Same guy as before. He’s moving, so we hauled furniture into his U-Haul, then down to a storage unit. NWI is playing at the Poetry Slam on Friday, as well as (maybe) the FMZ. If any of us practice. I’m in the most recent production of Lab Rats, onstage this time — as Watson. Thursday I’m going to see Laurel’s dance thingie. I was gonna bring Maggie, but I just don’t think she’d enjoy it. I’ll take her someplace else this summer — maybe to the play at the playhouse.

I’m finally finishing my pop-punk (real pop-punk, like Queers and Screeching Weasel) record from my band The Suckers. All it needs is backup vocals.

Last American Hero

Friday, July 11th, 2003

This is our new Seinfeld-inspired answering machine message:

Click here

It’s only 156k. “Believe it or not, the Shorts aren’t at home….”